Tim Reid
Tim is a Video Designer and Projection Designer working across theatre, opera and dance.
Tim has worked as Head of Video for the National Theatre of Scotland and toured internationally.
Award Nomination
2017 - Nominated for a Knight of Illumination Award for Theatre Projection Design (Headlong’s 1984)
“Quiz - Chichester Festival Theatre
... the evening not only offers the sort of baseline fun-factor necessary to lure the punters, it delivers such a sophisticated résumé of the episode that it attains the status of a “state-of-the-nation” drama.”
“... Mary Stuart opens with its two female stars spinning a coin onstage to randomly decide which of them will play each of the alternating lead roles. Relayed to the audience in close-up on a bank of TV screens, this nightly ritual is not just a promotional gimmick but a smart thematic echo of Schiller’s historical tragedy about two rival British queens whose divergent destinies are shaped by forces beyond their control.”
Gallery
2024
Production |
Company |
|---|---|
| Maggie and Me | National Theatre Scotland, Dir. Suba Das |
2023
Production |
Company |
|---|---|
| Another Nice Mess | The Occasion Theatre at Tramway, Dir. Peter Clerke & Catherine Gillard |
| The Grand Old Opera House Hotel | Traverse Theatre, Dir. Gareth Nicholls |
| Quiz | Chicester Festival Theatre & UK Tour, Dir. Daniel Evans Co Movement Dir. Jonnie Riordan |
2022
Production |
Company |
|---|---|
| Oresteia | Park Avenue Armory, New-York, Dir. Robert Icke |
| Azamara Onward (4 shows - Associate Video Designer) | RWS & Azamara Cruises, Lead Video Des. Christopher Ash |
| The Captain's Feast | Magheramorne Estate, Northern Ireland, Dir. Zöe Seaton |
2021
Production |
Company |
|---|---|
| Romeo and Juliet | Cumbernauld Theatre, Dir. Kate Nelson |
| The Tsar has his Photograph Taken | Scottish Opera, Dir. Roxana Haines |
| Family Portrait | Barrowland Ballet, Dir. Natasha Gilmore, Video Consultant. Tim Reid |
| It Takes All Ten | Tron Theatre, Dir. Sarah-Rose Graber |
| First Piano on the Moon (performed live on Zoom) | Perth Theatre, Dir. Lu Kemp |
2020
Production |
Company |
|---|---|
| Oh Yes We Are! (performed live on Zoom) | Perth Theatre, Dir. Barrie Hunter |
| Remember? | Nunah Theatre |
| The Naughty Fox and If We’ve Never Been To the Moon? | UK Tour, Dir. Andrew Dawson (Moon), James Baldwin (Fox) |
2019
Production |
Company |
|---|---|
| Chaplin | The Tramp | Slovakia National Ballet, Chor. Daniel De Andrade |
| Macbeth | Chicester Festival Theatre, Dir. Paul Miller, Lighting Des. Mark Doubleday |
| Ivanov | Schauspielhaus Stuttgart, Dir. Robert Icke, Costume Des. Wojciech Dziedzic |
| Where is Peter Rabbit? | The Old Laundry & West End, Dir. Sheila Carter |
| Super Human Heros | The Letter J |
| Tell Me On A Sunday | The Old Laundry Theatre, Dir. David Gilmour |
2018
Production |
Company |
|---|---|
| Mary Stuart | Duke of York's Theatre, Dir. Robert Icke, Wig Dresser Susanna Peretz |
| Quiz | Noël Coward Theatre, Dir. Daniel Evans |
| Shift | National Theatre of Scotland, Dir. Simon Sharkley |
2017
Production |
Company |
|---|---|
| Quiz | Chichester Festival Theatre, Dir. Daniel Evans |
| 1984 | Broadway, Dir. Rob Icke, Des. Chloe Lamford, Sound Des. Tom Gibbons |
| Fracked! (Revival) | Noel Coward Theatre, Dir. Robert Wilson |
2016
Production |
Company |
|---|---|
| If You Kiss Me, Kiss Me | Young Vic, Dir. Aletta Collins |
| Showboat | New London Theatre, Dir. Daniel Evans |
| How To Sing It | Tron Theatre, Dir. Isobel McArthur |
| Fracked! | Chichester Festival Theatre, Dir. Richard Wilson |
| 1984 | Playhouse Theatre, Dir. Rob Icke & Duncan Macmillan |
| The Red Barn | The National Theatre, Dir. Rob Icke |
| Meeting Bea | Bowness Theatre Festival, Dir. Peter James |
| The Man Who Followed his Legs and Kept on Walking | Lochgelly Centre, Dir. Iain Johnstone |
| The Gorbals Vampire | The Citizens Theatre, Dir. Guy Hollands & Neil Packham |
| Democracy | Rapture Theatre, Dir. Michael Emans |
| England in a Pink Blouse | Outburst Queer Arts Festival, Dir. Michael John McCarthy |
| Mary Stuart | Almeida Theatre, Dir. Robert Icke |
2015
Production |
Company |
|---|---|
| Blood Wedding | Dundee Rep Theatre, Dir. Jenny Sealey |
| The Typist | Kam-Ri Dance Theatre, Chor. Javier Latorre |
| Oresteia | Almeida Theatre, Dir. Robert Icke |
| The Effect | Sheffield Crucible, Dir. Daniel Evans |
| 1984 | Playhouse Theatre, Dir. Rob Icke |
| We Dance, Wee Groove | Imaginate Festival, Dir. Brian Hartley |
| Granddad and Me | National Theatre Scotland, Prod. The Letter J |
| La Musica | Young Vic, Dir. Jeff James |
| Showboat | Sheffield Crucible, Dir. Daniel Evans |
2014
Production |
Company |
|---|---|
| 1984 | Headlong Theatre (UK Tour), Dir. Rob Icke |
| England in a Pink Blouse | Grid Iron & Edinburgh International Book Festival, Dir. Michael Joohn McCarthy |
| You Are Here - St Andrew's Day Concert | Glasgow Life |
| Old News | Beacon Youth Dance, Commonwealth Youth Dance Festival |
| Stemmer | Bergen National Opera, Dir. Clark Rundell |
| Scale (Exhibiton) | Scottish Dance Theatre |
| 1984 | Almeida Theatre and Playhouse Theatre, Dir. Rob Icke |