“Lucia Di Lammermoor - Ópera de Oviedo
What is impressive is that Arienti’s designs show different angles that allow for different perspective. But perhaps the biggest surprise of the evening comes during the mad scene. The sets are on a turntable that rotates allowing Lucia to run from one room to another, including the bedroom where she kills Arturo.”

“Andrea Chénier - Opéra de Toulon
Justin Arienti signs the sets, whose ingenious devices allow visual changes, thus the passage from the first to the second act: the fall of the canvas of a family scene in a landscaped setting, then that of the rich silk hangings, reveal in an instant the revolutionary process, with the efficiency of the succession of cinematographic sequences. ”