D.M. Wood
Awards
2022 - Reumert Award for Best Opera Production for Die Walküre at The Royal Danish Opera
2012 - Knight of Illumination Award for Suor Angelica at The Royal Opera House.
Nominations
2020 - Olivier Awards for Best New Opera Production for Berenice at The Linbury
2019 - IRNE for The Slapstick Tragedy of Fatty Arbuckle, Merrimack Repertory Theatre
D.M. Wood is an international Lighting Designer working across opera, theatre and live performances.
Gallery
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2024
Production |
Company |
---|---|
A Midsummer Night's Dream | Garsington Opera, Dir. Netia Jones |
La Bohème | Minnesota Opera, Dir. Rodula Gaitanou |
Die Walküre | Greek National Opera, Dir. John Fulljames |
Prolifemo | Opera National du Rhin, Theatre de la Sinne (Mulhouse), Theatre municipal de Colmar, Dir, Bruno Ravella |
2023
Production |
Company |
---|---|
The Marriage of Figaro | Bayerische Staatsoper, Dir Evgeny Titov |
La Traviata | Norweigan Opera, Dir. Rodula Gaitanou |
Arminio | Royal Opera House, Dir. Mathilda du Tillieul McNicol |
2022
Production |
Company |
---|---|
The Rape of Lucretia | Royal Opera House & Snape Maltings, Dir. Oliver Mears, Designer Annemarie Woods |
Die Walküre | The Royal Danish Opera, Dir. John Fulljames |
2021
Production |
Company |
---|---|
A Midsummer Night's Dream | Santa Fe Opera, Dir/Des/ Video Des. Netia Jones |
Edmea | Wexford Festival Opera, Dir. Julia Burbach |
Le Songe d'une nuit d'été | Wexford Festival Opera, Dir. Stefania Panighini |
I Capuleti e i Montecchi | Wexford Festival Opera, Dir. Conor Hanratty |
2020
Production |
Company |
---|---|
Susanna | The Royal Opera House - The Linbury, Dir. Isabelle Kettle |
A Midsummer Night's Dream | Deutsche Oper Berlin, Dir. Ted Huffman, Costume Des. Annemarie Woods |
La favorite | Houston Grand Opera, Dir. Kevin Newbury |
La traviata | Nevill Holt Opera, Dir. Christopher Luscombe |
Don Giovanni | Nevill Holt Opera, Dir. Jack Furness |
Sweat | Huntington Theatre Company, Dir. Kimberly Senior |
2019
Production |
Company |
---|---|
The Niceties | McCarter Theatre (US), Dir. Kimberly Senior |
L’elisir d’amore | Opera Omaha, Dir. Rosetta Cucchi |
Twilight Zone | Ambassadors Theatre, Dir. Richard Jones, Co-Lighting Des. Mimi Jordan Sherin |
Berenice | The Royal Opera House - Linbury, Dir. Adele Thomas |
Les Enfants Terribles | Opera Omaha, Dir. James Darrah |
A Midsummer Night’s Dream | Opera Orchestre National Montpellier, Dir. Ted Huffman, Des. Annemarie Woods |
4.48 Psychosis | Opéra national du Rhin, Dir. Ted Huffman |
A Midsummer Night’s Dream | Nevill Holt Opera, Dir. Anna Morrissey |
2018
Production |
Company |
---|---|
Medea | Opera Omaha (US), Dir. Andrew Eggert |
Mamzer Bastard | The Royal Opera House, Hackney Empire, Dir. Jay Scheib |
The Niceties | Manhattan Theatre Club, Dir. Kimberly Senior |
Star Wars en Concert | Opéra Orchestre National Montpellier |
James Bond Symphony | Orchestre de Lyon, Cond. Stephen Bell |
2017
Production |
Company |
---|---|
Medea | Wexford Festival Opera, Dir. Fiona Shaw |
Margherita | Wexford Festival Opera, Dir. Michael Sturm |
Risurrezion | Wexford Festival Opera, Dir. Rosetta Cucchi |
La bohème | Opera di Firenze, Dir. Bruno Ravella |
Tosca | Nevill Holt Opera, Dir. Oliver Mears |
Le nozze di Figaro | Boston Lyric Opera, Dir. Rosetta Cucchi |
Star Wars en Concert | Orchestre de Lyon, Cond. Ernst Van Tiel |
Everything is Wonderful (World Premiere) | Contemporary American Theatre Festival, Dir. Ed Herendeen |
Byhalia, Mississippi | Contemporary American Theatre Festival, Dir. Marc Masterson |
2016
Production |
Company |
---|---|
Kansas City Choir Boy | Arsht Center, Miami, Dir. Kevin Newbury |
Don Giovanni | Northern Ireland Opera, Dir. Oliver Mears |
L'heure espagnole | Opera National de Lorraine, Dir. Bruno Ravella, Set & Costume Des. Annemarie Woods |
4.48 Psychosis (World Premiere) | Royal Opera House & Lyric Hammersmith, Dir. Ted Huffman |
Maria Stuarda | Seattle Opera, Dir. Kevin Newbury |
The 39 Steps | Actors Theatre of Louisville, Dir. Nathan Keepers |
The Wedding Gift (World Premiere) | Contemporary American Theatre Festival, Dir. May Adales |
20th Century Blues (World Premiere) | Contemporary American Theatre Festival, Dir. Ed Herendeen |
Pass Over | Cherry Lane Theatre (NY), Dir. Tea Alagic |
Gianni Schicchi | Opéra National de Lorraine, Dir. Bruno Ravella, Set & Costume Des. Annemarie Woods |
2015
Production |
Company |
---|---|
Kansas City Choir Boy | Kirk Douglas Theatre (LA), Dir. Kevin Newbury |
La bohème | Boston Lyric Opera, Dir. Rosetta Cucchi |
Kansas City Choir Boy | Prototype Festival (NY), Dir. Kevin Newbury |
Don Giovanni | Bergen Nasjonale Opera, Dir. Oliver Mears |
Norma | Gran Teatre Del Liceu, Dir. R.B Schlather |
We are Pussy Riot (World Premiere) | Contemporary American Theatre Festival, Dir. Tea Alagic |
The Full Catastrope (World Premiere) | Contemporary American Theatre Festival, Dir. Ed Herendeen |
2014
Production |
Company |
---|---|
Anna Bolena | Lyric Opera of Chicago, Dir. Kevin Newbury |
Silent Night | Wexford Festival Opera, Dir. Tomer Zvulun |
Don Bucefalo | Wexford Festival Opera, Dir. Kevin Newbury |
Salomé | Wexford Festival Opera, Dir. Rosetta Cucchi |
Norma | San Francisco Opera, Dir. Kevin Newbury |
Euryanthe | Bard Summerscape, Dir. Kevin Newbury |
Pat Kirkwood is Angry | 59e59 Theatres, Brits off Broadway |
La favorite | Oper Graz, Dir. Sam Brown, Costume Des. Anne-Marie Woods, Chor. Lucy Burge |
One Night | Contemporary American Theatre Festival, Dir. Ed Herendeen |
North of the Boulevard | Contemporary American Theatre Festival, Dir. Herendeen |
2013
Production |
Company |
---|---|
Candide | Opéra National de Lorraine, Dir. Sam Brown |
The Importance of Being Earnest | Northern Ireland Opera, Dir. Antony McDonald |
El Chico De Oz | Teatro Municipal (Peru), Dir. Mateo Chiarella |
L'importance D'etre Constant (World Premiere) | Opéra National de Lorraine, Dir. Sam Brown |
L'enfant et les sortilèges | The Bolshoi (Russia), Dir. Antony McDonald |
Heartless | Contemporary American Theatre Festival, Dir. Ed Herendeen |
A Discourse on the Invisible World | Contemporary American Theatre Festival, Dir. Kent Nicholson |